Dirty Dancing 1987  (soundtrack)

Dirty Dancing is the original soundtrack of the 1987 film Dirty Dancing. The album became a huge commercial success in the United States. It spent 18 weeks at #1 on the Billboard 200 album sales charts and went multi-platinum.[2] It spawned a follow-up album entitled More Dirty Dancing (1988). The original 1987 album went on to sell 32 million copies worldwide and is one of the best-selling albums of all time.
As of 2007, it is still re-entering the Irish charts on occasion, having spent more than 230 weeks in the top 30.

Classic forever after!!!!!


Tracklist:

1987 (Original Version):

"(I've Had) The Time of My Life" (Bill Medley, Jennifer Warnes) – 4:47
"Be My Baby" (The Ronettes) – 2:37
"She's Like the Wind" (Patrick Swayze) – 3:53
"Hungry Eyes" (Eric Carmen) – 4:06
"Stay" (Maurice Williams and the Zodiacs) – 1:34
"Yes" (Merry Clayton) – 3:15
"You Don't Own Me" (The Blow Monkeys) – 2:59
"Hey! Baby" (Bruce Channel) – 2:21
"Overload" (Alfie Zappacosta) – 3:39
"Love Is Strange" (Mickey & Sylvia) – 2:52
"Where Are You Tonight?" (Tom Johnston) – 3:59
"In the Still of the Night" (The Five Satins) – 3:03

2007 20th Anniversary Edition:

"Be My Baby" (The Ronettes)
"Where Are You Tonight?" (Tom Johnston)
"Stay" (Maurice Williams and the Zodiacs)
"Hungry Eyes" (Eric Carmen)
"Overload" (Zappacosta)
"Hey! Baby" (Bruce Channel)
"Love Is Strange" (Mickey & Sylvia)
"You Don't Own Me" (The Blow Monkeys)
"Yes" (Merry Clayton)
"In the Still of the Night" (The Five Satins)
"She's Like the Wind" (Patrick Swayze)
"(I've Had) The Time of My Life" (Bill Medley & Jennifer Warnes)
"Big Girls Don't Cry" (The Four Seasons)
"Merengue" (Michael Lloyd & Le Disc)
"Some Kind of Wonderful" (The Drifters)
"Johnny's Mambo" (Michael Lloyd & Le Disc)
"Do You Love Me" (The Contours)
"Love Man" (Otis Redding)
"Gazebo Waltz" (Michael Lloyd)
"Wipe Out" (The Surfaris)
"These Arms of Mine" (Otis Redding)
"De Todo Un Poco" (Michael Lloyd & Le Disc)
"Cry to Me" (Solomon Burke)
"Trot the Fox" (Michael Lloyd & Le Disc)
"Will You Love Me Tomorrow" (The Shirelles)
"Kellerman's Anthem" (The Emile Bergtein Chorale)
"I've Had the Time of My Life" [Instrumental] (The John Morris Orchestra)

The Bodyguard 1992 (Original Soundtrack Album)

The Bodyguard: Original Soundtrack Album is the soundtrack from the film of the same name, released on November 17, 1992, by Arista Records. The album's first side (in its original LP configuration) features songs by Whitney Houston, while side 2 features the work of numerous other artists. The album was co-executive produced by Whitney Houston and Clive Davis and has become one of the best selling albums of all time. The soundtrack was the first album verified by the Nielsen SoundScan computerized sales monitoring system to have sold more than a million units within a one-week period. The soundtrack later went on to win the Grammy Award for Album of the Year and was certified 17× Platinum by the Recording Industry Association of America on November 1, 1999. To date, it has sold over 40 million copies worldwide and is the best-selling soundtrack of all time.

Houston served as executive producer (as she did on her previous release I'm Your Baby Tonight), giving her full control over the song selections for this album. Houston planned to record "What Becomes of the Broken Hearted" as the film's theme song, however, when they found out another film was going to use it, they searched for another song. Kevin Costner, the film's co-star, thought of recording "I Will Always Love You", originally released by Dolly Parton. While recording the album, Houston insisted on using her touring band as opposed to a studio band.

The album's first half features pop songs performed by Houston.Houston's cover of Dolly Parton's plaintive country ballad "I Will Always Love You" is a grand pop-gospel declaration of lasting devotion to a departing lover. "I Have Nothing" and "Run to You" are ballads featuring Houston's characteristic stentorian delivery. "Jesus Loves Me" is sung with Bebe Winans and features a pop arrangement.
Allmusic editor Stephen Thomas Erlewine views that the first half is characterized by urban pop songs similar to I'm Your Baby Tonight (1990), while the second half has miscellaneous tracks more "typical of a big-budget soundtrack", including an excerpt from Alan Silvestri's score, instrumentals by Kenny G, and contemporary pop and dance songs. "Someday (I'm Coming Back)", performed by Lisa Stansfield, is an intense pop-disco song.

Miss You So Much Whitney!!!!

Tracklist:

 1. I Will Always Love You
 2. I Have Nothing
 3. I'm Every Woman
 4. Run To You
 5. Queen Of The Nigh
 6. Jesus Loves Me
 7. Even If My Heart Would Break
 8. Someday (I'm Coming Back)
 9. It's Gonna Be A Lovely Day
10. What's So Funny 'Bout Peace Love And Understanding
11. Waiting For You
12. Trust In Me
13. Bodyguard

Thank God It's Friday 1978 (Soundtrack)

The soundtrack album was originally issued as a 3 record set in 1978, of which the 3rd disc was a single side 12 inch single of the 15:47 minutes Donna Summer, "Je t'aime... moi non plus" track. An edited CD came out in 1995 on the budget label Rebound Records. A digitally remastered version of the full soundtrack on a 2 disc set was released on PolyGram Records on March 25, 1997. The company that holds the rights to the album is as of 1998 the Universal Music Group.
Cameo's "Find My Way" was originally issued as a 7" single in 1975. Giorgio Moroder and Donna Summer's cover version of Serge Gainsbourg and Jane Birkin's 1969 hit single "Je t'aime... moi non plus" was also recorded a few years earlier, but had its debut on the soundtrack and was subsequently issued as an edited 7" single in a few countries in 1978. "Too Hot Ta Trot" was from The Commodores' 1977 album Commodores Live! – on certain editions of the Thank God It's Friday album replaced by a studio recording. Other titles on the soundtrack, including "Last Dance", were especially recorded for the film.
Diana Ross' "Lovin' Livin' and Givin'" was remixed after the release of the soundtrack and used as the opening track on her 1978 album Ross. It was also released as a single in certain territories and has since been remixed and re-edited a number of times for inclusion on various hits packages issued by Motown/Universal Music.
The final part of Donna Summer's "Last Dance" is later re-included as a separate track called 'Reprise' towards the end of the soundtrack album. An edited version of the whole track was the version issued on the 7" single in most countries, and this track can be found on many of Summer's compilations, including 1994's Endless Summer and 2003's The Journey: The Very Best of Donna Summer. The 12" single used the full-length 8:08 version. A live recording of the track was included on the album Live and More, issued in late 1978 and the following year the studio version was remixed by Giorgio Moroder for what was to be Summer's final Casablanca Records album, On The Radio: Greatest Hits Volumes 1 & 2. The 1979 mix can be found on Summer's 1993 and 2005 compilations The Donna Summer Anthology and Gold respectively.

An extended remix of Summer's "With Your Love" was issued as a promo 12" single in 1978; a slightly shorter version of this can be found on the cd Mercury Records/PolyGram's 1987 release The Dance Collection: A Compilation of Twelve Inch Singles. The 8 track cartridge and cassette both feature the full length version.

Tracklist:


1. THANK GOD IT'S FRIDAY - Love And Kisses
2. With Your Love - Donna Summer
3. After Dark - Pattie Brooks
4. LAST DANCE - Donna Summer
5. DISCO QUEEN - Paul Jabara
6. FIND MY WAY - Cameo
7. TO HOT TA TROT - The Commodores
8. I Wanna Dance - Marathon
9. Sevilla Nights - Santa Esmeralda
10. You're The Most Precious Thing In My Life - Love And Kisses
11. Do You Want The Real Thing - D.C. Larue
12. Lovin', Livin' And Givin' - Diana Ross

Saturday Night Fever 1977 (soundtrack)

Saturday Night Fever: The Original Movie Sound Track is the soundtrack album from the 1977 film Saturday Night Fever starring John Travolta. In the United States, the album was certified 15x Platinum for shipments of over 15 million copies.[4] The album stayed atop the album charts for 24 straight weeks from January to July 1978 and stayed on Billboard's album charts for 120 weeks until March 1980. In the UK, the album spent 18 consecutive weeks at No. 1. The album epitomized the disco phenomenon on both sides of the Atlantic and was an international sensation. The album has been added to the National Recording Registry in the Library of Congress.

After the Bee Gees completed mixing their live album Here at Last...Bee Gees...Live at Le Château, they began recording songs for their next album. "If I Can't Have You" was the first song they recorded, but it was not used on the film. The Bee Gees' songs began in Le Chateau, France and finished in Criteria and Cherokee Studios. Barry was the lead vocalist on all of the songs as it was pretty much established on Children of the World that his voice was now the voice of the Bee Gees. With mostly falsetto and an occasional breathy natural voice, Barry performed much of the backing and harmony vocals with Robin and Maurice. On the recording of the songs, Maurice was sometimes notable for bass guitar parts and Blue Weaver on keyboards and synthesizer.

The original issue of the album included the original studio version of "Jive Talkin'"; later LP pressings included a version culled from Here at Last... Bee Gees... Live. All CD releases have included the original "Jive Talkin'". "Jive Talkin'" was to have been used in a deleted scene taking place the day after Tony Manero's first Saturday night at the disco, but as the sequence was cut for the final film, the song was cut as well.

In addition to the Bee Gees songs, additional incidental music was composed and adapted by David Shire. Three of Shire's cues — "Manhattan Skyline", "Night on Disco Mountain" (based on the classical piece "Night on Bald Mountain") and "Salsation" — are included on the soundtrack album as well. Five additional cues — "Tony and Stephanie", "Near the Verrazano Bridge" (both adapted from the Bee Gees' song "How Deep Is Your Love"), "Barracuda Hangout", "Death on the Bridge" and "All Night Train" — while heard in the film, remain unreleased on CD.

In 1994, the soundtrack was re-released on CD through Polydor Records. In 2006, the album was re-released on Reprise Records as part of the Bee Gees' regaining control of their master tapes.
Along with the success of the movie, the soundtrack, composed and performed primarily by the Bee Gees, was the best-selling soundtrack album of all time (it was later surpassed by Whitney Houston's soundtrack to The Bodyguard). Saturday Night Fever had a large cultural impact in the United States. The Bee Gees had originally written and recorded the five of the songs used in the film, "Stayin' Alive", "Night Fever", "How Deep Is Your Love", "More Than a Woman" (performed in the film in two different versions—one version by Tavares, and another by the Bee Gees) and "If I Can't Have You" (performed in the movie by Yvonne Elliman) as part of a regular album. They had no idea at the time they would be making a soundtrack and said that they basically lost an album in the process.[citation needed] Two previously released Bee Gees songs—"Jive Talkin'" and "You Should Be Dancing"—are also included on the soundtrack. Other previously released songs from the disco era round out the music in the movie.

The soundtrack also won a Grammy Award for Album of the Year. It is the only disco album to do so. In 2003, the album was ranked No. 131 on Rolling Stone magazine's list of the 500 greatest albums of all time. The soundtrack hit the No. 1 spot on Billboard Music Chart's Pop Album and Soul Album charts. In 2003 the TV network VH1 named it the 57th greatest album of all time, and it was ranked 80th in a 2005 survey held by British television's Channel 4 to determine the 100 greatest albums of all time.[citation needed] Pitchfork Media listed Saturday Night Fever as the 34th best album of the 1970s.
The album has been added to the National Recording Registry in the Library of Congress on March 21, 2013 for long-term preservation.


Tracklist:

1 Stayin' Alive.
2 How Deep Is Your Love.
3 Night Fever.
4 More Than a Woman. 
5 If I Can't Have You.
6 Fifth Of Beethoven.
7 More Than a Woman.
8 Manhattan Skyline
9 Calypso Breakdown
10 Night on Disco Mountain
11 Open Sesame
12 Jive Talkin'.
13 You Should Be Dancing.
14 Boogie Shoes.
15 Salsation
16 K-Jee
17 Disco Inferno

http://www.youtube.com/watch?v=UAGaaqndyxg

A site dedicated to thousand and one soundtracks, if you have liked a movie and you remained in love with his sonorous band, this one is your blog, let's not forget that the music or rather, we remember that the music is a culture and the sound is a personage mas of the movie

Flashdance 1983 (soundtrack)

Flashdance: Original Soundtrack from the Motion Picture is the soundtrack to the 1983 American musical and romance film Flashdance, produced by Don Simpson and Jerry Bruckheimer and starring Jennifer Beals and Michael Nouri. It sold more than 20 million copies worldwide. The film is set in Pittsburgh, Pennsylvania and follows Alex, a welder and exotic dancer and her dreams of becoming a professional ballet dancer. In 1984, the album received a Grammy nomination for Album of the Year and won for Best Album of Original Score Written for a Motion Picture or a Television Special.
The film's three singles feature on the album. Two of these singles, "Flashdance...What a Feeling" by Irene Cara and "Maniac" by Michael Sembello, peaked at #1 in the U.S. Billboard Hot 100. The third single, "Lady, Lady, Lady" by Joe Esposito, peaked at #86 in the U.S. on radio play alone since it was not released as a single in the U.S. due to reorganization at Casablanca, and conflicts concerning distribution between Casablanca and Millennium Records. The track "Romeo" by Donna Summer was released as a promo video to MTV prior to the film's release, composed only of outtakes from the film. However, the song was not released to radio as Summer was on the verge of releasing her 1983 album She Works Hard for the Money, and the title track was already becoming a major hit. ("She Works Hard for the Money" was actually in the top 10 on the Billboard Hot 100 consecutively with both "Flashdance...What a Feeling" and "Maniac".)
The Flashdance LP was massively successful, selling over 6 million copies in the U.S. and 1 million in Japan. It was certified gold by RIAA on June 17, 1983, and became multi-platinum on October 12, 1984 and again on June 21, 1996. In addition to its own success, the album is notable for having supplanted Michael Jackson's Thriller after the latter had remained Billboard's number-one album for 17 weeks. Thriller would again overtake Flashdance at number one after 2 weeks. In Japan, the album topped the chart for 11 weeks in total, and became the biggest-selling album of 1983.

The music in Flashdance was supervised by Phil Ramone. There are several pieces of music used in the film that do not appear on the soundtrack album, including "Gloria" by Laura Branigan; "I Love Rock and Roll" by Joan Jett and the Blackhearts; and the "Adagio in G Minor" by Tommaso Albinoni. The title track "Flashdance... What a Feeling" was originally recorded by Joe Esposito before Irene Cara was asked to re-record the song as in line with the film's female perspective

 Flashdance encloses everything what I try to express in these reviews. A movie that owes everything to him to his sonorous band, but try to remember it without tararear, though it is a bit in the mind, someone of his songs; almost impossible.



dance!!! dance !!! loveeee!! and dance!! Don't Stop Til' You Get Enough....

Jaws 1978 (soundtrack)

John Williams composed the film's score, which earned him an Academy Award and was later ranked the sixth greatest score by the American Film Institute. The main "shark" theme, a simple alternating pattern of two notes—variously identified as "E and F" or "F and F sharp",became a classic piece of suspense music, synonymous with approaching danger (see leading-tone). Williams described the theme as "grinding away at you, just as a shark would do, instinctual, relentless, unstoppable. The piece was performed by tuba player Tommy Johnson. When asked by Johnson why the melody was written in such a high register and not played by the more appropriate French horn, Williams responded that he wanted it to sound "a little more threatening".When Williams first demonstrated his idea to Spielberg, playing just the two notes on a piano, Spielberg was said to have laughed, thinking that it was a joke. As Williams saw similarities between Jaws and pirate movies, at other points in the score he evoked "pirate music", which he called "primal, but fun and entertaining". Calling for rapid, percussive string playing, the score contains echoes as well of Igor Stravinsky's The Rite of Spring.

There are various interpretations of the meaning and effectiveness of the primary music theme, which is widely described as one of the most recognizable cinematic themes of all time. Music scholar Joseph Cancellaro proposes that the two-note expression mimics the shark's heartbeat. According to Alexandre Tylski, like themes Bernard Herrmann wrote for Taxi Driver, North by Northwest, and particularly Mysterious Island, it suggests human respiration. He further argues that the score's strongest motif is actually "the split, the rupture"—when it dramatically cuts off, as after Chrissie's death.The relationship between sound and silence is also taken advantage of in the way the audience is conditioned to associate the shark with its theme, which is exploited toward the film's climax when the shark suddenly appears with no musical introduction.

Spielberg later said that without Williams's score the film would have been only half as successful, and according to Williams it jumpstarted his career. He had previously scored Spielberg's debut feature, The Sugarland Express, and went on to collaborate with the director on almost all of his films.

Tracklist:

Main Title (Theme From 'Jaws') 

Chrissie's Death 

Promenade (Tourists on the Menu) 

Out to Sea 

The Indianapolis Story 

Sea Attack Number One 

One Barrel Chase 

Preparing the Cage 

Night Search 

The Underwater Siege 

Hand to Hand Combat 

End Title (Theme From 'Jaws')

Grease 1978 (Soundtrack)

Grease: The Original Soundtrack from the Motion Picture is the original motion picture soundtrack for the 1978 film Grease originally released by RSO Records. The song "You're the One That I Want" was a US and UK #1 for stars John Travolta and Olivia Newton-John. To date, it has sold over 28 million copies worldwide, becoming the sixth best-selling soundtrack album of all time

The soundtrack was released in April 14, 1978, two months ahead of the film's release. The cover gives credit to, and prominently features, the two stars of the film:John Travolta and Olivia Newton-John although they only appear on seven of the 24 tracks. The remainder of the album is sung by various cast members and Sha Na Na, a group who performed many of the 1950s numbers in the film. The title track was recorded by Frankie Valli, who had no other connection with the film

The most successful songs from the soundtrack were written specifically for the film. They included the Billboard number-one hits "Grease", "You're the One That I Want" and the number-three, Academy Award-nominated "Hopelessly Devoted to You". In the UK, the album proved even more successful where "You're the One That I Want" reached No.1 for nine weeks, "Summer Nights" reached No.1 for seven weeks, while "Grease", "Hopelessly Devoted to You" and "Sandy" all became top three hits. The soundtrack album hit the top of the charts in the U.S. during the summer of 1978, replacing The Rolling Stones' Some Girls. In the UK, it remained at the top of the charts for 13 consecutive weeks.[9] As of 2011, "You're the One That I Want" and "Summer Nights" are still among the 20 best-selling singles of all time in the UK (at Nos.6 and 19 respectively).
Two of the bass players who recorded on the Grease soundtrack were (at different times) members of Toto. One of these, David Hungate, also performed on Olivia Newton-John's album Totally Hot with Toto guitarist Steve Lukather. Other musicians here have previously worked with Elton John, Steely Dan, Bee Gees and others.
The album has sold over 6 million copies in the US in the Soundscan era (beginning 1991) in addition to the millions sold in the years 1978-1991,Worldwide the album sold 28 million copies.

The soundtrack of all  times!!!!!!!!!

Tracklist:

1. "Grease" (Instrumental version) Barry Gibb Gary Brown, saxophone
2. "Summer Nights" (Sing-a-long version) Jim Jacobs and Warren Casey
3. "Hopelessly Devoted to You" (Sing-a-long version) John Farrar
4. "You're the One I Want" (Sing-a-long version) John Farrar
5. "Sandy" (Sing-a-long version) Louis St. Louis and Scott Simon
6. "Greased Lightnin'" (Single version) Jim Jacobs and Warren Casey John Travolta
7. "Rydell Fight Song" (Previously unreleased instrumental) Jim Jacobs and Warren Casey
8. "Greased Up and Ready to Go" (Previously unreleased instrumental) Jim Jacobs and Warren Casey
9. "Grease Megamix" ("You're the One That I Want"/"Greased Lightnin'"/"Summer Nights")
10. "Grease Dream Mix" ("Grease"/"Sandy"/"Hopelessly Devoted to You")
11. "Summer Nights" (Martian remix) Jim Jacobs and Warren Casey John Travolta and Olivia N.John
12. "You're the One That I Want" (Martian remix)

Beverly Hills Cop 1984 (Soundtrack)

The soundtrack "Beverly Hills Cop" won a Grammy Award for Best Score Soundtrack for Visual Media (1986). The instrumental-only title tune "Axel F" is a cultural touchstone and has since been covered by numerous artists. The soundtrack was mastered by Greg Fulginiti, and would feature different artists plus electronic style music.
The soundtrack was released on MCA Records, successor-in-interest to Paramount's old record division, the Famous Music Group (specifically Paramount Records).

The track listing is as follows:

"New Attitude" by Patti LaBelle
"Don't Get Stopped in Beverly Hills" by Shalamar
"Do You Really (Want My Love?)" by Junior
"Emergency" by Rockie Robbins
"Neutron Dance" by Pointer Sisters
"Dynamite" by Jermaine Jackson
"The Heat is On" by Glenn Frey
"Gratitude" by Danny Elfman
"Stir It Up" by Patti LaBelle
"Rock 'N Roll Me Again" by The System
"Axel F" by Harold Faltermeyer

The Exorcist 1973 (Soundtrack)

Lalo Schifrin's working score was rejected by Friedkin. Schifrin had written six minutes of music for the initial film trailer but audiences were reportedly too scared by its combination of sights and sounds. Warner Bros. executives told Friedkin to instruct Schifrin to tone it down with softer music, but Friedkin did not relay the message.

In the soundtrack liner notes for his 1977 film, Sorcerer, Friedkin said had he heard the music of Tangerine Dream earlier, he would have had them score The Exorcist. Instead, he used modern classical compositions, including portions of the 1971 Cello Concerto by Polish composer Krzysztof Penderecki, Five Pieces for Orchestra by Austrian composer Anton Webern as well as some original music by Jack Nitzsche. But the music was heard only during scene transitions. The 2000 "Version You've Never Seen" features new original music by Steve Boddacker, as well as brief source music by Les Baxter.

The original soundtrack LP has only been released once on CD, as an expensive and rare Japanese import. It is noteworthy for being the only soundtrack to include the main theme Tubular Bells by Mike Oldfield, which became very popular after the film's release, and the movement Night of the Electric Insects from George Crumb's string quartet Black Angels.

The Greek song playing on the radio when Father Karras leaves his mother's house is called "Paramythaki mou" (My Tale) and is sung by Giannis Kalatzis. Lyric writer Lefteris Papadopoulos has admitted that a few years later when he was in financial difficulties he asked for some compensation for the intellectual rights of the song.

A really unforgettable soundtrack.

Tracklist:

1. Iraq (01:58) 

2. Georgetown / "Tubular Bells" (05:28) 

3. Five Pieces For Orchestra, Op10 (01:17) 

4. Polymorphia (11:49) 

5. String Quartet (1960) (07:11) 

6. Windharp (02:42) 

7. Night Of The Electoric Insects (01:38) 

8. Kanon For Orchestra And Tape (09:48) 

9. Tubular Bells (00:28) 

10. Fantasia For Strings (02:12) 

Close Encounters of the Third Kind (Soundtrack)

This wonderfull score was composed, conducted and produced by John Williams, who had previously won an Academy Award for his work on Spielberg's Jaws. Much like his two-note Jaws theme, the "five-tone" motif for Close Encounters has since become ingrained in popular culture (the five tones are used by scientists to communicate with the visiting spaceship as a mathematical language as well as being incorporated into the film's signature theme). The score was recorded at Warner Bros. Scoring studios in Burbank, California.
Williams was nominated for two Academy Awards in 1978, one for his score to Star Wars and one for his score to Close Encounters. He won for Star Wars, though he later won two Grammy Awards in 1979 for his Close Encounters score (one for Best Original Film Score and one for Best Instrumental Composition for "Theme from Close Encounters").[15]
The soundtrack album was released on vinyl album (with a gatefold sleeve), 8-track tape, and audio cassette by Arista Records in 1977, with a total running time of 41 minutes (it was later released on compact disc in 1990). The soundtrack album was a commercial success, peaking at #17 on the US Billboard album chart in February 1978 and was certified Gold by the RIAA for 500,000 copies shipped.[16] It also peaked at #40 in the UK album charts.[17]
Although not included on the original soundtrack album, a 7" single, "Theme from Close Encounters of the Third Kind", was included with the album as a free bonus item. Despite being a giveaway, Billboard chart rules at that time allowed the single itself to chart, and it peaked at #13 on the US Billboard Hot 100 in March 1978. The single was later added as a bonus track to the cassette.

Following the release of the "Collector's Edition" of the film in 1998, a new expanded soundtrack was released on compact disc by Arista. The "Collectors Edition Soundtrack" was made using 20-bit digital remastering from the original tapes, and contained 26 tracks totalling 77 minutes of music. The CD also came with extensive liner notes including an interview with Williams. Cues were given new titles, and it also contained previously unreleased material, as well as material that was recorded but never used in the film.

Tracklist:
1. "Opening: Let There Be Light"   0:49
2. "Navy Planes"   2:06
3. "Lost Squadron"   2:23
4. "Roy's First Encounter"   2:41
5. "Encounter at Crescendo Summit"   1:21
6. "Chasing UFOs"   1:18
7. "False Alarm"   1:42
8. "Barry's Kidnapping"   6:19
9. "The Cover-Up"   2:25
10. "Stars and Trucks"   0:44
11. "Forming The Mountain"   1:49
12. "TV Reveals"   1:49
13. "Roy and Gillian on the Road"   1:10
14. "The Mountain"   3:31
15. "Who Are You People?"   1:35
16. "The Escape"   2:18
17. "The Escape (Alternate Cue)"   2:40
18. "Trucking"   2:01
19. "Climbing The Mountain"   2:32
20. "Outstretch Hands"   2:47
21. "Lightshow"   3:43
22. "Barnstorming"   4:25
23. "The Mothership"   4:33
24. "Wild Signals"   4:12
25. "The Returnees"   3:45
26. "The Visitors / "Bye" / End Titles: The Special Edition"

Amélie (soundtrack)

Amélie is the soundtrack to the 2001 French film Amélie, a motion picture set in Paris, France, about a young woman endeavouring to help and improve the lives of those around her. Having been home-schooled since childhood, Amélie finally leaves her lifelong home and begins to discover her true vocation in life: awarding her neighbours and colleagues love and happiness. But when Amélie chances upon her own romance, her adventure truly begins - ever captured by the music of Yann Tiersen.
Director Jean-Pierre Jeunet chanced upon the accordion and piano driven music of Yann Tiersen while driving with his production assistant who put on a CD he hadn't heard before. Greatly impressed, he immediately bought Tiersen's entire catalogue and eventually commissioned him to compose pieces for the film.[1] The soundtrack features both compositions from Tiersen's first three albums, but also new items, variants of which can be found on his fourth album, L'Absente, which he was writing at the same time.[2]
Beside the accordion and piano the music features parts played with harpsichord, banjo, bass guitar, vibraphone and even a bicycle wheel at the end of "La Dispute" (which plays over the opening titles in the motion picture).
Prior to discovering Tiersen, Jeunet was primarily considering composer Michael Nyman to score the film.[citation needed]

"Les Jours tristes" was co-written with Neil Hannon of The Divine Comedy. The track later received English lyrics, and was released by The Divine Comedy as a b-side to the Regeneration single "Perfect Lovesong." The English-language version also appeared on Tiersen's L'Absente

Simply spectacular!!! !!!

1. "J'y Suis Jamais Allé"   1:34
2. "Les Jours Tristes (Instrumental)" (written by Tiersen and Neil Hannon) 3:03
3. "La Valse d'Amélie"   2:15
4. "Comptine d'un Autre Été: L'Après Midi"   2:20
5. "La Noyée"   2:03
6. "L'Autre Valse d'Amélie"   1:33
7. "Guilty" (performed by Al Bowlly, written by Gus Kahn, composed by Richard A. Whiting and Harry Akst) 3:13
8. "A Quai"   3:32
9. "Le Moulin"   4:27
10. "Pas Si Simple"   1:52
11. "La Valse d'Amélie (Orchestra Version)"   2:00
12. "La Valse des Vieux Os"   2:20
13. "La Dispute"   4:15
14. "Si Tu N'étais Pas Là" (performed by Fréhel, written by Gaston Claret and Pierre Bayle) 3:29
15. "Soir de Fête"   2:55
16. "La Redécouverte"   1:13
17. "Sur le Fil"   4:23
18. "Le Banquet"   1:31
19. "La Valse d'Amélie (Piano Version)"   2:38
20. "La Valse des Monstres"   3:39
21. "L'Autre Valse d'Amélie" (bonus track, string and piano quartet version) 1:43
22. "Les Deux Pianos" (bonus track) 2:00
23. "Comptine d'un Autre Été: La Démarche" (bonus track) 2:03
24. "La Maison" (bonus track)

Blade Runner (soundtrack)

The Blade Runner soundtrack was composed by Vangelis for Ridley Scott's 1982 film Blade Runner. It is mostly a dark, melodic combination of classical composition and synthesizers which mirrors the futuristic film noir envisioned by Scott. Since the première of the film, two official albums have been released containing music omitted from the film and also new compositions featuring a similar style. An orchestral rendition of part of the soundtrack was released in 1982 by the New American Orchestra. However, the original soundtrack album (1994) features vocal contributions from Demis Roussos and the sax solo by Dick Morrissey on "Love Theme" (In the credits on page 3 of the 1994 Atlantic CD, Dick's last name is misspelled as "Morrisey"). The track "Memories of Green" from Vangelis' 1980 album See You Later was also included. A new release made in 2007 includes a disc of new music inspired by the film.
The film also features "Ogi No Mato" ("The Folding Fan as a Target" on Traditional Vocal and Instrumental Music from Nonesuch Records) by the Japanese group Ensemble Nipponia, and harpist Gail Laughton's "Pompeii 76 A.D." (from Harps of the Ancient Temples). Two songs used prominently in the workprint, "If I Didn't Care" by The Ink Spots and "Quran" by Brian Eno & David Byrne, were omitted from the Theatrical release of Blade Runner.

The original soundtrack release was delayed for over a decade, until 1994, despite the music being well-received by fans and critically acclaimed—nominated in 1983 for a BAFTA and Golden Globe as best original score. Also, there was the promise of a soundtrack album from Polydor Records in the film's end titles. The 1989 compilation Themes included some tracks from the film, but it was not until two years after the 1992 Director's Cut of the film that the score saw an official release.



Tracklist:

disc 1                                                                       disc 2.
1. Prologue and Main Titles (3:54)                 1. Deckard's Dream (1:10)
2. Leon's Voight Kampff Test (1:09)                 2. Thinking of Rachael (1:18)
3. Sushi Bar – Damask Rose (2:46)                 3. Esper Analysis (2:34)
4. Spinner Ascent (1:21)                                 4. Animoid Row (2:34)
5. Blush Response (5:43)                                  5. Taffey Lewis Night Club (2:02)
6. Wait for Me (5:12)                                       6. Salome's Dance (1:23)
7. Deckard Meets Rachael (1:36)                     7. Zhora's Retirement (1:42)
8. Rachael's Song (4:20)                                 8. I Am the Business (2:29)
9. Tales of the Future (4:53)                              9. Love Theme (4:58) 
10. Bicycle Riders (2:10) 10.                           10. I Dreamt Music (4:32)
11. Chew's Eye Lab (1:15)                               11. Morning at the Bradbury (3:46) 
12. Memories of Green (5:35)                         12. The Prodigal Son Brings Death (4:07)
13. Blade Runner Blues (10:01)                        13. Deckard Enters the Bradbury (3:37) 
14. Pris Meets J.F. Sebastian (1:47)                 14. Dangerous Days (0:57) 
15. One More Kiss, Dear (4:04)                      15. Wounded Animals (10:53)
                                                                        16. Tears in Rain (2:51)
                                                                        17. Rachael Sleeps (2:08)
                                                                        18. End Titles (4:06)
                                                                         

A site dedicated to thousand and one soundtracks, if you have liked a movie and you remained in love with his sonorous band, this one is your blog, let's not forget that the music or rather, we remember that the music is a culture and the sound is a personage mas of the movie

A site dedicated to thousand and one soundtracks, if you have liked a movie and you remained in love with his sonorous band, this one is your blog, let's not forget that the music or rather, we remember that the music is a culture and the sound is a personage mas of the movie

A Clockwork Orange (soundtrack)

The music is a thematic extension of Alex's (and the viewer's) psychological conditioning. The soundtrack of A Clockwork Orange comprises classical music and electronic synthetic music composed by Wendy Carlos (who, having not yet transitioned, was credited as "Walter Carlos"). Some of the music is heard only as excerpts, e.g. Edward Elgar's Pomp and Circumstance March No. 1 (aka Land of Hope and Glory) ironically heralding a politician's appearance at the prison. The main theme is an electronic transcription of Henry Purcell's Music for the Funeral of Queen Mary, composed in 1695, for the procession of Queen Mary's cortège through London en route to Westminster Abbey. "March from A Clockwork Orange" was the first recorded song featuring a vocoder for the singing; synthpop bands often cite it as their inspiration. Neither the end credits nor the soundtrack album identify the orchestra playing the Ninth Symphony excerpts, however, in Alex's bedroom, there is a close-up of a microcassette tape labeled: Deutsche Grammophon – Ludwig van Beethoven – Symphonie Nr. 9 d-moll, op. 125 – Berliner Philharmoniker – Chor der St. Hedwigskathedrale – Ferenc Fricsay – Irmgard Seefried, Maureen Forrester, Dietrich Fischer-Dieskau, Ernst Haefliger.

In the novel, Alex is conditioned against all classical music, but in the film, only against L. v. Beethoven's Ninth Symphony, the soundtrack of a violent Ludovico Technique film. The audience does not see every violent film Alex is forced to view during Ludovico conditioning, yet the symphony's fourth movement is heard. Later, using the symphony's second movement, Mr Alexander, and fellow plotters, impel Alex to attempt suicide.

from wikipedia.

Tracklist:
01.-Title Music from A Clockwork Orange
02.-Rossini: The Thieving Magpie (Abridged)
03.-Theme From A Clockwork Orange (Beethoviana)
04.-Ninth Symphony, Second Movement, Abriged
06.-Rossini: William Tell Overture (Abridged)
06.-Rossini: William Tell Overture (Abridged)
07.-Pomp And Circumstance March No. IV
08.-Pomp And Circumstance March No. I
09.-Timesteps (Excerpt)
10.-Overture to the Sun
11.-I Want to Marry A Lighthouse Keeper
12.-Rossini: William Tell Overture (Abridged)
13.-Suicide Scherzo (Ninth Symphony, Second Movement, Abriged)
14.-Ninth Symphony, Fourth Movement, Abridged
15.-Singin’ In The Rain


Another excellent classic soundtrack of an excellent movie, of the hand of the genius Stanley Kubrick

A site dedicated to thousand and one soundtracks, if you have liked a movie and you remained in love with his soundtrack, this one is your blog, let's not forget that the music or rather, we remember that the music is a culture and the sound is a character more of the movie

2001: A Space Odyssey (soundtrack)

2001: A Space Odyssey is a great soundtrack album to the film of the same name, released in 1968. The soundtrack is known for its use of many classical and orchestral pieces, and credited for giving many classical pieces resurgences in popularity, such as Johann Strauss II's 1866 Blue Danube Waltz, Richard Strauss' symphonic poem Also sprach Zarathustra (inspired by the writings of Friedrich Nietzsche), and György Ligeti's Atmosphères. The soundtrack has been re-issued multiple times: including a 1996 version and a digitally remastered version in 2010.

2001 is particularly remembered for using pieces of Johann Strauss II's best-known waltz, An der schönen blauen Donau (On the Beautiful Blue Danube), during the extended space-station docking and lunar landing sequences, and the use of the opening from the Richard Strauss tone poem Also sprach Zarathustra (Usually translated as "Thus Spake Zarathustra" or occasionally "Thus Spoke Zarathustra"[2] – the soundtrack album gives the former, the movie's credits give the latter). Composers Richard and Johann Strauss are not related.

From: wikipedia.

To my seeming is a masterpiece that cannot be absent in the discotheque of any melomaniac lovers of the soundtracks.